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		<title>True Grit</title>
		<description><![CDATA[For over a quarter century Joel and Ethan Coen have quietly become one of the most dependable forces in American cinema. Their last four films came out less than a year apart, and each is within in its own right a sprawling odyssey, completely dissimilar from anything else in the Coen brother’s already considerable body [...]]]></description>
		<link>http://cfilmc.com/true-grit/</link>
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		<title>Black Swan</title>
		<description><![CDATA[A timid ballerina grows into an artist. Regardless of how complicated Black Swan tries to be, that is the essential struggle it depicts. The arguable issues with the film come in the distorting themes layered upon this otherwise familiar tragedy. Much in line with his previous film, The Wrestler, director Darren Aronofsky has set out [...]]]></description>
		<link>http://cfilmc.com/black-swan/</link>
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		<title>Enter the Void</title>
		<description><![CDATA[Film pioneer Dziga Vertov once said: “I am a mechanical eye. I, a machine, I am showing you a world, the likes of which only I can see;” writer-director Gaspar Noé has taken Vertov’s concept of “Kino-Glaz” (Cine-Eye) to it’s logical culmination. Enter the Void takes place entirely from the perspective of its main character, [...]]]></description>
		<link>http://cfilmc.com/enter-the-void/</link>
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		<title>Harry Potter and the Deathly Hallows: Part 1</title>
		<description><![CDATA[9 years and 1,048 minutes of cinema later we’ve finally reached the penultimate installment of the Harry Potter film saga. Pity it’s unbearably boring. Harry Potter and the Deathly Hallows: Part 1 is little more than a chain of nauseatingly confusing climaxes broken up by the occasional joke or somber hug. This is especially disappointing [...]]]></description>
		<link>http://cfilmc.com/harry-potter-and-the-deathly-hallows-part-1/</link>
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		<title>Inside Job</title>
		<description><![CDATA[Director Charles Ferguson has possibly made the scariest film of the year. It has no monsters, no twists, an incredibly linear narrative and a PG-13 rating. This withstanding, Ferguson’s new documentary, Inside Job, is truly terrifying. Its simple tagline tries to prepare its viewers: “The global economic crisis of 2008 cost tens of millions of [...]]]></description>
		<link>http://cfilmc.com/inside-job/</link>
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		<title>Conviction</title>
		<description><![CDATA[Conviction is the real life story of how Betty Anne Waters (Hilary Swank) earned a law degree to get her brother, Kenny (Sam Rockwell), out of prison for a crime he didn’t commit. What could have easily been an uninteresting magazine article has been stretched out into a painfully boring feature film. Director Tony Goldwyn [...]]]></description>
		<link>http://cfilmc.com/conviction/</link>
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		<title>Shutter Island</title>
		<description><![CDATA[I have a strong desire to see Shutter Island again. I’m hoping, in desperation, that something will be there to validate this film. I’m going to resist this urge to prevent further disappointment. If Martin Scorsese did not direct this film than this desire would not exist; I’d have written the film off as trivial [...]]]></description>
		<link>http://cfilmc.com/shutter-island/</link>
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		<title>Greenberg</title>
		<description><![CDATA[Noah Baumbach’s Greenberg is a movie devoid of ambition.  Little happens, and anything that does is superficial and non-challenging.  The real tragedy is that the film so readily embraces this nonchalance and seems to excuse it as a statement about society. Roger Greenberg (Ben Stiller) is house-sitting for his brother Phillip (Chris Messina), after being [...]]]></description>
		<link>http://cfilmc.com/greenberg/</link>
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		<title>Best films of the year &amp; decade</title>
		<description><![CDATA[This past decade (and this past year in particular) have been rather dismal for motion pictures, but every year has its gems and they are worth noting. So I present the ten best films of the year followed by those of the decade. If there are any complaints we can schedule an appointment and discuss [...]]]></description>
		<link>http://cfilmc.com/best-films-of-the-year-decade/</link>
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		<title>Antichrist</title>
		<description><![CDATA[In Jean-Luc Godard’s Breathless, the flighty American girl Patricia reads William Faulkner’s anti-nihilist statement from The Wild Palms that, “Between grief and nothing I will take grief.” Michel, the happy-go-lucky gangster, responds, “I will take nothing&#8211;grief is a compromise.” Lars von Trier’s latest controversial drama, Antichrist, is like a response to Michel, as if to [...]]]></description>
		<link>http://cfilmc.com/antichrist/</link>
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